Saluang Dendang as a Space of Gender Negotiation in Minangkabau Society
DOI:
https://doi.org/10.65150/EP-jsshrs/V2E5/2026-12Keywords:
Saluang dendang, gender negotiation, Minangkabau society, cultural anthropology, traditional performance, identity reconstructionAbstract
This study explores saluang dendang, a traditional musical performance of the Minangkabau people, as a cultural arena for negotiating gender roles and identities. Using a qualitative anthropological approach, the research investigates how performers, audiences, and customary norms interact to shape gender dynamics within the practice of saluang dendang. Data collection was conducted through participant observation, in-depth interviews with saluang players, singers, and community elders, as well as textual analysis of dendang lyrics rich in symbolism and social commentary. The findings reveal that saluang dendang functions not only as entertainment but also as a symbolic stage where male and female roles are contested and redefined. The lyrics often contain satire, critique, and praise that reflect societal perceptions of gender. Furthermore, the increasing participation of women as singers demonstrates a shift in traditional boundaries once dominated by men. Thus, saluang dendang can be understood as a dynamic cultural medium that enables dialogue, resistance, and reconstruction of gender identity in Minangkabau society. This research highlights the significance of traditional arts as reflective spaces for social negotiation and adaptation to evolving values and gender relations.
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Copyright (c) 2026 Noni Sukmawati, Ari Wulandari, Rika Novita Kusumaningrum, Arif Budiman, Khristanto (Author)
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